by Matthew Foster • Dec. 19
4000 Miles travels a long distance, led by the Grandma of Your Lefty Political Dreams, only to get not very far along.
by Sophie Kerman • Dec. 17
Exceptional ensemble acting turns a "workshop" into a master class on how to transform naturalism into classic theater.
by Derek Lee Miller • Dec. 15
Criticism | Tradition
If you're the type who celebrates winter by drinking in a bar, then have we got something for you!
by Mark Sweeney • Dec. 15
How do you take musical talent and storytelling passion and make it into a song for a musical with a biblical plot? Find out in this podcast.
by Dominic Orlando • Dec. 12
A well-executed play about a man who weighs 500 pounds somehow sets up expectations of a realistic play that it fails to satisfy.
by Sophie Kerman • Dec. 10
An excellent production from a new company is overshadowed by current events.
by Derek Lee Miller • Dec. 9
Audience | Criticism
Sure, we can dish about Peter Pan or big grant money, but I want to talk about a critic who stopped writing 20 years ago.
by Paul de Cordova • Dec. 8
John Miller is a familiar name to any actor who’s ever wanted to be in a play at the Guthrie Theater.
by E.J. Subkoviak • Dec. 5
Gus Lynch made a huge impression, in so many ways, on everyone who met him.
by Ira Brooker • Dec. 3
As the first act becomes the second, a creeping sense of familiarity may or may not provide you with a satisfying experience.
See it this week at Artspace Grain Belt Bottling House in Minneapolis. Presented by Dark & Stormy Productions.
Victoria Pyan performs in Coast of Utopia Staged Reading playing at Phoenix Theater this month.
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